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As the story builds to its inevitably tragic and bittersweet finale, the movie strikes a powerful emotional chord through an unflinching final scene. (In the early stages of the relationship, Marianne must keep her profession hidden on long walks with her object of obsession, giving the narrative an almost spy movie–like touch.) The fastidiousness of the early scenes helps establish the precise, exacting style of director Céline Sciamma, who tends to favor uncluttered compositions filled with lots of blank space, deliberate movements, and dramatic splashes of color. We soon learn the hand belongs to Marianne (Noémie Merlant), a French painter in the 18th century who falls in love with the young woman (Adèle Haenel) assigned to her as a subject. That's how an artist begins her work: sketching out the outline and making preliminary judgments about what goes where. Portrait of a Lady on Fire opens with the simple image of a hand drawing charcoal lines across a blank piece of paper.
Where to watch: Peacock, YouTube, rent on Amazon Prime, Vudu StudioCanal Years later, But I’m a Cheerleader holds up as the campy conversion therapy comedy that nobody asked for and everybody enjoyed. Throughout her stay, though, Megan grows dangerously close to rebellious camper Graham (Clea DuVall), challenging everything she thought she knew about love and sexuality. Under the leadership of disciplinarians Mary Brown (Cathy Moriarty) and "formerly gay" Mike (RuPaul Charles), campers undergo a five-step program to “correct” their gender expression and "cure" their homosexuality. When Megan’s parents suspect her of being lesbian-which comes as news to her-they ship her off to a no-nonsense conversion camp to set her straight. Lyonne stars as Megan, a teen cheerleader with an athlete boyfriend who she doesn’t like kissing too much. Natasha Lyonne, honorary queer of Orange Is the New Black and Russian Doll fame, cemented her place in lesbian canon more than two decades ago.